Garden Wall Mural Commission02.07.21 Art Thought #32
10 x 18 foot wall
I recently met a new client, Karen, through the platform houzz. She had seen one of my paintings (Spring Bloom, 2020) and wanted to commission me to paint it on her garden wall. This family have put a lot of love and effort into transforming their garden into a beautiful outdoor living space, and it was really great to be involved in that.
The project took 2 days, and was quite physical but a great experience. The mural was painted using masonry paint, and then covered in a clear varnish to help preserve it from the elements. I was worried how it would turn out, but I’m really happy with the end result.
This is the third mural I’ve done. I’m hoping to do another one at a school in Chicago this year, and potentially a fifth one in London. Working outdoors in the fresh air surrounded by nature, feels amazing – it’s nature’s studio.
It’s been wonderful working with Karen. She has a truly creative soul. She works in IT, and upcycles furniture in her spare time. Karen says that now, she keeps popping into the garden just to look at the mural; to stand and watch and soak it in. She even did another wall!
To see more of my work, go to: https://linktr.ee/shabsbeigh
All enquiries are welcome — email@example.com
#Commission #ArtCommission #Artist #Painter #Painting #GardenArt #OutdoorArt #AcrylicPainting #Nature #Natural #Garden #ShabsBeighArt #ArtNearMe #ModernArt #Blossom #Flower #Impressionism #Pink #Green #Yellow
A Life In Art: By Kate Houghton22.06.21 Art Thought #31
The below interview, featured in Living Edge Magazine and published on https://www.greatbritishlife.co.uk/people/shabs-beigh-altrincham-artist-8077138 dives into the past, present and future of my life as an artist.
Artist Shabs Beigh is inspired by what he sees around him, and is taking the sights of Altrincham to the walls of LA.
Shabs Beigh grew up in northern India, attended an army boarding school and had his future pretty much mapped out – if only it wasn’t for his passionate obsession with art. At 17, despite heading for a place at university to study physics, he knocked on the door of a local newspaper publisher, asked why they didn’t have a cartoonist and illustrator, requested the role – and got it.
‘I didn’t like to ask my parents for money,’ he says, ‘so I offered to work for the publisher for one month for free, to prove myself. I had always known how to draw, from a very early age, and the art teacher at school had taken me under his wing, having me do everything possible art-related in the school. At first I drew cartoons for the children’s comic, then caricatures and more satirical, political cartoons. I was only 17, but was obsessed by wanting to see my work, my name, in print.
‘The consciousness that I can draw was always there. Funnily enough, the fact that I am a painter by temperament – that took me 40 years to realise. Ability to draw is one thing, but the consciousness that of the fact that by nature you are an artist, is a different thing. To be able to convey an emotion, to focus on something obsessively until you are an authority on that subject, to paint and paint until you have it right... I went to Claude Monet’s house in France, to look at the garden. I wanted to see first-hand what he saw. I realised that he never painted his garden in autumn. When I arrived in Giverny, in September 2019, I had been contemplating for a year an attempt at impressionistic work based on his pond. I was actually scared of attempting it, because it’s quite a big task to draw work that is ‘Monet-ist', so well-known, and expect people to say “oh, that’s alright”. I did a series on the pond, however, and they all sold.’
A move to the UK to study for a Masters led to a decision to settle in Altrincham, not only for a career, but because of the travel links across the UK and further afield.
‘I love to travel, and when I travel I am inspired, and I paint what I am inspired by.’
Shabs’ work scatters across the globe. He has followers on his social media platforms from almost every continent, maintaining contact with them through regular emails, though he says nothing beats meeting people face-to-face and actually talking about his work.
‘In 2019 I took part in 20 art fairs here in the UK. I love it when people come to my stand and we talk, and I can explain my work and the inspiration.’
In 2019 he was accepted by Saatchi Art, which ‘collects’ artists from all over the world and curates exhibitions across the globe. It’s a complicated process, with submissions, interviews, assessments... but Shabs has now not only been invited to join, but was chosen as one of the top 10% of artists to feature in the Saatchi Spring Catalogue in the USA.
‘The curators at Saatchi seem to think my work will appeal more to the US audience than the UK, so they put my art in shows in LA and Chicago, and it sells, so they must know what they’re doing,’ he laughs. ‘I went to LA and to Chicago in 2019. 2020 it was all virtual, of course, but I had hoped to go back to LA this month, but travel restrictions don’t allow – I plan to go in September, however.’
Lockdown and travel restrictions mean that Shabs’ latest body of work, and indeed the one before that, have been inspired by subjects closer to home.
‘During lockdown, and still now, I would walk every day to Dunham Massey. The first lockdown it was so quiet, my only companions were the ravens. They’re so clever and I could watch them for hours. I decided to do a series of ink drawings, which have really been popular, both the originals and the limited edition prints.
‘This year, I became obsessed with the magnolia trees I would see on my walks. I love these flowers, and they bloom for such a short time, I wanted to capture every stage.’
His paintings and prints of the magnolias that inspired him have already started winging their way around the world, and hang on walls from Mumbai to SoCal.
‘I am obsessed with the British coastline. I intend to paint it all, like no one else. It will be at least a 15-year project.’
And no doubt, like his other work, will also end up on walls across the globe.
How Does A Painting Happen? 225.04.21 Art Thought #30
Thinking about how a painting comes together… I just realised that it is an idea that takes shape — starting with an itch, an urge or even just a thought, a stir of some sort. Howard Hues, a famous British abstract artist, would sit for hours looking at say a river bank soaking it all in and then the painting would pour itself out months or years later as an abstract. That is fascinating. Something tangible like a physical beautiful painting is born out of nothing.
It is a Big Bang in a way. The idea has to have some soul in it for it to encourage you to plan a canvas, draw, imagine and plan the colours and shape. And then it has to resonate with someone, somewhere, somehow. No wonder people are fascinated by art, and the thinking that goes behind it. From my perspective, I just follow an impulse that moves me, my mind, my body or hands. I am in the process of planning the works for my next exhibition in Los Angeles.
It has to be something that reflects my nature and the nature around me. So more then likely it will be impressionist landscapes and seascapes, because that is what moves me. The nature of water moves me; The sound of a stream flowing gently, The reflection of trees in water stirred by the wind, The sound of the force of nature crashing against a rugged rocky coast. I just love it.
#Art #ArtBlog #Painting #Drawing #Artist #Impressionism #Abstract #Landscape #Seascape #Nature #ArtistStory #ArtNearMe #ModernArt #WaterInArt #Tree #TreeArt #Reflections
A Mother's Day Surprise14.04.21 Art Thought #29
Saatchi Spring Catalogue 202109.03.21 Art Thought #28
My impressionist work has been included in the Saatchi Spring Art Catalogue 2021. Out of the 400/500 artists that Saatchi represents, they only chose artworks from 20/30 artists.
To view the Saatchi catalogue, go to:
This is my first time being included in a catalogue, and I'm glad that it was Saatchi. Artists spend a lifetime hoping that their artwork is worthy of appreciation and recognition, and to be chosen by such a prestigious, reputable company is very flattering.
Impressionists and post-impressionists (i.e. Vincent Van Gogh) have had a massive influence of my work. Claude Monet is one of my all time favourite artists. In 2019 I travelled across France, visiting the places that inspired the great impressionist artists of the past. I visited Musée de l'Orangerie in Paris - A museum famous for having a permanent home to eight large Water Lily murals by Claude Monet. I also visited his house and garden, where I noticed he painted his garden in every season except autumn. I did a full series using the same techniques and inspiration, with my own autumn twist.
Being included in the Saatchi catalogue has prompted quite a few enquiries from collectors (and a few sales).
Links to artworks:
For any enquiries, please email me at: firstname.lastname@example.org
Chat And Spin Radio Interview27.01.21 Art Thought #27
On 21st January 2021 at 18:55, I had an interview with Ronald Clark on Chat And Spin Radio (an online radio station with 75,000 listeners). It’s only the 2nd radio interview that I’ve ever done and I was a bit nervous, but when I got talking about my passion for art, all those nerves slipped away.
I talked freely about my favourite art styles, subjects and some of the things that influence my art, as well as the positive uplifting effect that painting/drawing can have on mental health (which is especially important during these lockdowns). 20-25 years ago when I first started drawing as an illustrator/cartoonist, I never would have imagined that one day, people would collect my work in different countries.
I might be doing another radio interview in March 2021. I love talking about art. I live art every day. When I go for my walks into the country and alongside rivers, and when I think back to holidays along the coast – there’s influence everywhere. To make your mark in life and on a canvas you just have to take the plunge, without any certainty or guarantees of how things will turn up. Life in general is no different than a painting – when you start you don’t always end up finishing as you would have imagined, but the results can often be better or a pleasant surprise.
#Radio #RadioInterview #ChatAndSpinRadio #ChatAndSpin #Art #Artist #Painting #Painter #Drawing #WallArt #Commission #ModernArt #ArtTherapy #Positivity #CreativeOutlet
The Long And Short Of It14.12.20 Art Thought #26
I was recently commissioned to do a painting by a chef from Hebden Bridge, that he plans to give to his friend for Christmas. This watercolour artwork features a tall duck next to a small cockerel- a tongue-in-cheek jab at their difference in height. Artwork is supposed to evoke an emotion, and this painting really does - laughter. I really enjoyed this commission.
#commissionart #illustrationanimal #duck #farm #art #artnearme #artistsupportpledge #commission #illustration #watercolour #duck #chicken #rooster #cockerel #artforsale
Art That Speaks To Us25.11.20 Art Thought #25
I recently bought a painting of 2 pomegranates and whilst it might seem like a strange painting to others, it triggers happy memories for me. The last time I saw my dad, he sent my brother to go and find pomegranates – the best quality fruit that my brother could find. The painting reminds me of how much my dad valued us. It is a visual link to our shared taste and standards.
Art brings people together and makes us happy. From young to old, there’s no precedent for who can enjoy it. Artworks affect us all differently depending on our experiences – on a subliminal level, art exposes feelings and emotion.
One of my art clients purchased a seascape painting but asked to pay in instalments. It turns out that she worked part-time, and the artwork she wanted was a full month’s rent. The painting prompted memories of being in New Zealand with an ex-partner, and the amazing time she had.
This morning I was talking to Carrie Starr, a ranch owner from North America, and she said that she has a particular style or art that she searches for - “I choose colourful artwork, because I dread the bleakness of winter. The colours help me get through the winter.”
Seascapes15.11.20 Art Thought #24
I have always been drawn to the water. The colours alone are entrancing –turquoise, teal and blue blended together into nature’s own painting. But add into that the raw energy of the waves, and it’s not surprising that the sea captivates so many of us. I’m fascinated by waves crashing against the rocks.
I make sure I visit the coast several times a year. So many of my paintings have been inspired by walks along the coast. Over the last few years, I have visited:
- Antibes, South France
- St Ives, Padstow & Bedruthan Steps, North Cornwall
- Newborough Beach, North Wales
- South Stack, Holyhead
- Isle of Skye
- Exmouth & Sidmouth, South Devon
- Venice, Italy
- Venice Beach, Santa Monica
- Nice, France
A feeling of calmness comes over me when I watch the water. There’s nothing better than sitting on the beach on a hot summer day, with the sun shining on your face and the cool breeze on your shoulders. I plan on exploring all of the UK’s coastline, which I’m sure will result in many more seascapes.
Appreciation of the arts27.10.20 Art Thought #23
I once saw a juggler performing with a lot of enthusiasm in an open air shopping market square, with no audience at all. For a few seconds I thought 'who is he performing for?' After being distracted by my coffee and newspaper for a while, when I looked up there were a few more folk. The jugglers performance was just as enthusiastic when there was no one watching. When I finished my coffee there was a huge crowd being entertained by his performance. Made me smile. I feel like that juggler at times when I post pictures of my paintings.
Van Gogh's Ear06.10.20 Art Thought #22
In 1887, Van Gogh lived and worked in Paris. There, he met two people that greatly influenced one of the most famous art-history incidents of all time – the night Van Gogh cut off his own ear, and delivered it to a friend.
Van Gogh was troubled. His artwork wasn’t popular at the time, and he was rejected by family, friends and strangers for being too eccentric and needy. His brother Theo was one of the few that supported him – he gave Van Gogh canvasses and paints, financed Van Gogh’s travels across Europe and put him in touch with Paul Gauguin. Gauguin was a famous artist at the time, and Van Gogh admired him greatly. So when Gauguin suggested that Gogh move further south to a sunnier area with fresh inspiration, Gogh took his advice. He envisioned a studio to share with other like-minded artists, where they could paint together and swap stories. He begged Gauguin to join him, and with Theo financing the idea Gauguin agreed.
Van Gogh had also recently met a woman in hospital in Paris, Gabrielle. When she recovered and moved back to Arles, Gogh followed her and set up his art studio near her, at the famous yellow house. Over the following weeks, it became clear that Van Gogh and Paul Gauguin had contrasting personalities. They constantly fought, and things started to deteriorate for Gogh. Theo announced that he was getting engaged, and Van Gogh feared that he would lose Theo’s financial support. Gogh and Gauguin continued to clash, which eventually culminated in Gogh throwing a shot glass full of absinthe at Gauguin. Gauguin moved out into a hotel, and that same night (December 23, 1888) Gogh took a razor and sliced off his ear, cutting a through an artery in the process.
He hid the wound under his hat and prepared to go out. He wrapped the severed ear in newspaper, and took it to Gabrielle at the brothel. Van Gogh grew up in a religious setting and was drawn to the underdogs of the world, in particular poor women. It’s thought that his offering to Gabrielle was an act of religious self-sacrifice.
Seek and you shall find29.09.20 Art Thought #21I was in Chicago to exhibit with The Other Art Fair by Saatchi in 2018 - One morning, rather than staying at my hotel, I decided to go to The Art Institute of Chicago. I was there to see a collection of impressionist and post-impressionist works, but wasn't aware of the details of the collection that they had there.Van Gogh’s work and life (a post-impressionist) interest me. Years ago, I had seen this green painting by Van Gogh; a painting that I hoped I would bump into someday, somewhere without knowing where it was in the world. Strolling through the Impressionist gallery after seeing the Haystacks by Monet, I turn the corner and there it was (the green Van Gogh) and i jumped with joy like a kid. I stood there discussing it with someone from Liverpool, who was in love with this painting the same as me. I truly loved it. I walked thinking: seek and you do find.Time passed and I was back in England exhibiting at The Manchester Art Fair and I stopped a gentleman who looked like a serious art buyer. We got talking and he introduced me to the idea of painting the Birkenhead park. He became a collector of my works. I went and saw the park and realised it was the inspiration behind the central park of New York. So, I painted the Birkenhead park in an impressionist manner. I realised only after reading a book about impressionists that being in love with that green painting of Van Gogh has influenced me, without me being aware of it.So here are the four green paintings which were born out of love for Van Gogh’s green painting. One of them was inspired by walks by a canal in Nottingham, and the other was that of Birkenhead park. The third one is inspired by Bodnant Gardens in North Wales, and the last one (the river bed and the trees hanging) was inspired by a walk along the banks of River Wharf in Wetherby.
How does a painting happen?03.05.20 Art Thought #20
It takes more time conceiving it, thinking about it and visualising it than the act of painting itself. The bubbling idea was to paint more rivers, after having painted River Wharf from Wetherby, Yorkshire and River Seine from Giverny, France. I love painting water you see, and the reflections of nature in it.
But on one of these walks during the lockdown, one spring evening on my way to Dunham Massey the evening sun was peeping through the leaves. The plum, pink, lime, green and lime yellow coloured leaves drenched in sunlight looked amazing, refracting light through them. Light and nature. Light on nature/leaves and through them can be magical to look at. This is the very first study of this subject. I really should either climb the trees or use binoculars to see them up close to have a better idea of how to use the colour and the brush strokes.
This is a square 16x16 inch canvas done in acrylic colours. August Renoir, the french impressionist, was the master of painting thin layers of paint one on top of another to gain the true effect of light. The same method apparently was used by Leonardo Da Vinci when painting Mona Lisa - Layers of thin translucent paint, one on top of another.
Painting Landscapes14.04.20 Art Thought #19
Nature is therapeutic. I paint a lot of it. I spend a lot of time in it. Looking at water has a meditative effect on us, and I have always wondered why? A lot of my work is reflections of nature in water. They are difficult to paint, but I do like a challenge. Painting the coast is different from painting a river bed, a pond or a lake.
One of my latest works is a painting of the River Wharf. I stayed in Wetherby with work, and used to go for morning walks along the banks of the Wharf. The walk was more about the visual of the Wharf in the early hours of the morning than anything else. I would sit there at the river bank, enjoying the gentle flow of the river and feeling calm; occasionally spotting someone fishing on the bank. The reflection of trees, the sky and the different shades of green were just an absolute delight to watch. I am particularly fond of the point where the water meets the trees. The greenish blue shade lingers right at the back in the distance. It is the same colour you see when you look at a forest from a distance. I just love that colour.
Howard Hues (the painter) used to do the same thing watching the River Ganges for hours at end, on his trips to India. Then he would come back to England and paint it, without having made any sketches or physical notes. Pure visual memory and influence.
The making of a painting starts just like that: A focused uninterrupted keen eye, a lot of thinking, visualising and letting it sink in and influence you.
I have painted: the chalk cliffs of Dover; South Stack in Holyhead, Anglesey, North Wales; Antibes shore in south France where Picasso used to spend summers with his family; Lake Como in Italy; the ponds in Bodnant Garden in North Wales, and I nearly forgot the Mullion and the Lizard point from the Cornish coast. There is nothing like it anywhere in the world on a good sunny day. I love St Ives. I have visited all these places and you should if you get a chance. The South of France was made popular by impressionists painting it after all.
Abstracts04.02.20 Art Thought #18
The majority of my abstract artworks are inspired by the intense movements of waves. I paint without a plan - in the same way that water moves freely and without restraint, I attack the canvas with free strokes. I am obsessed with water. I love the force with which it crashes against the rocks.
I aim to capture the essence of the sea, without painting its true likeness. Waves never stop moving, and I paint with the same freedom. When I see the juxtaposition of teal, turquoise and blue it makes me wish I was back there breathing in the fresh sea air. Looking at these artworks reminds me of the sound of the waves as they crash against the cliffs.
Painting the water will be a lifelong obsession of mine and I plan to continue adding to this series. I visit the seaside every year with my family, exploring new coastlines and seascapes. Each trip inspires a new artwork, and as this is something we will be doing for a very long time, there will be many more additions.
Bobby The Seagull21.01.20 Art Thought #17
A lot of my artworks are inspired by animals, and my focus is generally bulls and bison. But last summer I met a new subject – Bobby the seagull.
We met whilst my family and I were braving the 400 steps to the lighthouse in South Stack, Anglesey, North Wales. The coastal views are amazing. Clear turquoise and blue waters crash against the rocks, and in the centre of it all stands this historic lighthouse (built in 1809). It was a beautiful sunny day and he followed us the entire way, watching inquisitively as we stopped to take photos.
By the time we reached the lighthouse we had become quite familiar with our curious friend, now nicknamed “Bobby.” He stopped to pose for photos, flew away and then came back for more photos.
I created two paintings inspired by our meeting – The diptychs “Bobby The Seagull” and “Bobby The Seagull Returns”. Both are 24 x 12 inch acrylic on canvas impressionist paintings.
Bobby has been exhibited at:
Contemporary Art Fair Newbury (10th – 12th May 2019)
Contemporary Art Fair Windsor (8th – 10th Nov 2019)
Chester Art Fair (15th – 17th Nov 2019)
I also painted two more pieces inspired by the incredible views at South Stack. The first is a 16 x 16 inch acrylic on canvas, showing the lighthouse in the distance overlooking the sea. The second painting is 30 x 30 inch acrylic on canvas, and looks down onto the coastline from above.
I can’t wait to continue exploring the beaches around North Wales and North West England, as soon as the weather gets better. I plan on doing a whole series on seascapes over the next few years.
#england #wales #coastline #landscape #seascape #passion #summer #art #artist #artblog #artoninstagram #paintingoftheday #artbuyer #artconsultant #gallery #LAartscene #USA #losangeles #beverleyhills #dallas #santamonica #london #chicago #paintingsforsale #dreams #miami #florida #northwales #anglesey #southstack
Bulls & Bison09.01.19 Art Thought #16
The bulls and bison series was one of my first. I’ve continued adding to the series over the years, and the biggest difference that can be seen in my works is the size – I started with smaller charcoal drawings, whereas now I’m creating artwork twice the size. This has given me the freedom to go into more detail with the subjects of the artwork, and in some cases incorporate a surrounding landscape.
The series was first exhibited in Chicago at The Other Art Fair, and shortly after they were exhibited again in Santa Monica (where I sold 3 to same collector). I’ve always had a positive response to the bulls and bison drawings. I feel that people, like me, appreciate the rawness of the drawing and how it complements the personality of the animal – Drawing with charcoal allows me to capture that wildness and ruggedness.
I focused mainly on bulls when I started the series, but I’ve been doing more and more bison drawings recently. The raw power and strength behind an adult bison is something I respect, and I love being able to capture it in my art. I plan to continue the bulls and bison series with a new subject – a bison calf.
The bulls and bison series will be the main feature of my exhibition in Mumbai (January 2020) and at The Other Art Fair in Santa Monica (April 2020).
Mumbai Exhibition05.01.20 Art Thought #15
My first exhibition of 2020 will be held in central Mumbai, India at the Nine Fish Gallery on 14th January. This holds a special significance, as my first ever exhibition was held in Delhi at ANZ Grindlays bank in New Delhi, India 25 years ago.
I visited Mumbai two years ago to see the performance of a close actor friend. I designed two posters for his production house – Ambal productions, and on the night I went to watch the play I was asked by the theatre production house that my friend owns to introduce the play to the audience (and I did). This exhibition has come about through that work.
The Nine Fish Gallery has an amazing collection of antiques and art works, including the Howdah (elephant seat) that Elizabeth sat on when she rode an elephant on her visit to India. The gallery itself is located within the charming precincts of a historic textile mill in Central Mumbai. The curators of the gallery display a range of genres – painting, printmaking, sculpture, installation, photography, video, documentary practice, performance and new media.
I’m excited for my first exhibition of the year, and have been preparing some new artworks to exhibit including The Bison Rut and Bison And A Magpie. I will be showing a mix of works from my bulls and bison series.
"Roses In A Vase" Commission23.12.19 Art Thought #14
This is the second commission I took on for one of my collectors from LA. The first painting they bought from me was the very first painting from my Monet garden series, inspired by my trip to Claude Monet’s house where I noticed he never painted his garden in autumn. This family had also been to Monet’s house, and were excited to see this painting take life. I went to their home at Hermosa Beach to help them hang it and in the pictures I took, you can see the same table and vase that became their second commission – “Roses in a vase.”
This impressionistic painting incorporates that same table, the vase and flowers – The table on which the vase sits was passed down from my collectors’ grandparents to his parents, and now sits in his home. He regularly brings home these beautiful two toned flowers as a gift for his wife. The combination of history, nostalgia and emotion made this commission a delight to paint. They want their children to inherit this painting, and it’s an honour to know I’m contributing to keeping this piece of generational history alive.
The finished piece is 22 x 18 inches, acrylic on board. It took me a while to decide the composition and colours etc. but I’m happy with the outcome, and so was my collector and his family. He came to pick it up in Chicago when I was exhibiting with The Other Art Fair in Chicago.
#santamonica #california #england #flowershow #vase #roses #interiors #spring #history #art #love #family #goodfriday #paintingoftheday #stilllife #usa #gb #lovegreatbritain #londoneye #Hermosabeach #LosAngeles #clutters #California #Cali #dtla #beverleyhills #USA #America #impressionism #artistblog #commission #commissionart
Skyline Commissions21.12.19 Art Thought #13
A collector of mine has asked me to do two paintings – one of Durham and one of Oxford. His two sons are returning home for Christmas and these paintings will be waiting in their rooms, as a reminder of their time at university.
This was a bit tricky but I’m glad I took it on. Architectural drawings and paintings aren’t my comfort zone so this has pushed me, but I’m very happy with the end result. The experience has pushed me to start a new series looking at the skylines in the major cities throughout the UK, such as London, Edinburgh, Manchester and Liverpool.
I’ve had a wonderful response from my collectors for the skyline commission, and had multiple enquiries about painting skylines from people’s home towns/cities. I’m excited to get started! If you have an idea for a painting and want to explore it, feel free to get in touch with no obligation to purchase.
The pieces shown here are ink on canvas, 20" x 40"
#Durham #DurhamSkyline #Oxford #OxfordSkyline #Liverpool #LiverpoolSkyline #Glasgow #GlasgowSkyline #Edinburgh #EdinburghSkyline #London #LondonSkyline #Birmingham #BirminghamSkyline #Manchester #ManchesterSkyline #SkylinePainting #ArtistBlog #InkOnPaper #CommissionArt #Art #Painting
The stages of completing a commission10.12.19 #Art Thought 12
Most people imagine that when I get a commission, the only thing I have to do is paint - But there’s so much more to it than that. To complete a commission, I have to approach painting differently. Usually I paint what I’ve seen on my own travels, where inspiration strikes first hand and the artwork follows. When a client approaches me with an idea, the artwork has already been produced in their head. It’s my job as an artist to match that vision, and breathe life into it.
The brief that I get given at the start of the commission develops into a finished piece of art, and that process has a lifespan of its own. When I’m creating a new piece, I have to have some kind of experience with the subject that I’m painting. If it’s a place, I try to visit it. If it’s a family pet, I try to meet the animal. From the time I start a project to its completion, I spend hours discussing the artwork with the client - from what it means to them, to what kind of artwork they envisage on their wall.
One of my collectors has ordered a painting for his son who attended Durham University, and comes home this Christmas. I visited Durham recently to get a sense for the place. I spent a few hours exploring, and walked across the main bridge next to the campus to try and capture life in Durham as my clients son does. Now “all” that is left is to put that inspiration onto a canvas.
I thoroughly enjoy doing paintings that have been commissioned by my clients. Even despite doubts and nerves that it won’t live up to their expectations, it is all very rewarding when it comes together and puts a smile of the face of the buyer.
Van Gogh Commission06.12.19 Art Thought #11I recently got another commission from a repeat collector. This time I’ve been asked to do a piece originally painted by Van Gogh, but in my own style. I’m a huge fan of the founding fathers of impressionistic art, and to say I’m excited to get started on this is an understatement. Last year, I travelled across Italy and France exploring the homes and works of Claude Monet, Van Gogh, Henri Matisse and Pablo Picasso. I’m looking forward to taking on more commissions inspired by the work of these great artists.I have 6 commission art pieces I plan to finish before Christmas, and after that i'm ready to try my hand at the same pieces painted by Gogh/Monet/Picasso. If there's an artwork you admire, then feel free to call/message/email with a no obligation enquiry.
Little Angels Charity Event26.11.19 Art Thought #10
On 24.11.19 I attended a charity fundraiser at Birmingham Botanical Gardens, raising money for ‘Little Angels’ – A great cause to support orphans in Southeast Asia with education, special needs, medical costs and more. I was very humbled to see how many people had come together to offer their support.
I had donated an original acrylic on canvas painting from my Kite series to be auctioned, with the money raised going directly to the charity. I’ve had a lot of success with the kite series – it even got me noticed by Paul Smith Design (who now represents me, along with Saatchi.) Regardless, I was still so nervous that nobody would bid! The auction itself was very exciting. The bidding started at £500, and after a few tense minutes it closed at £1750!
The piece was bought by a very generous physicist - Dr Shahid Sandhu. The charity was founded by his sister. He has also asked me to do a few commission pieces for his home. I loved the event, and I’m definitely going to be doing it again next year.
My Art Travels (3/3)24.11.19 Art Thought #9
On the way back to Paris, I stopped in Arles where Van Gogh used to live. I sat outside the yellow café that inspired him to paint Café Terrace at Night, in mid-September 1888. I also visited the asylum in Saint-Rémy de Provence where Van Gogh voluntarily confined himself, after cutting off part of his left ear.
On returning to Paris, I visited the Musée de l'Orangerie – an art gallery of impressionist and post-impressionist paintings from artists such as Paul Cézanne, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Pierre-Auguste Renoir and Henri Rousseau. The museum is most famous however as the permanent home to eight large Water Lilies murals by Claude Monet. I even got a chance to see some pieces from his private collection, and it was magical.
I then travelled to Giverny to visit the beautifully restored home of Claude Monet, the founder of French impressionistic painting. Whilst exploring his famous gardens, I realised that he never painted his pond in autumn. So, I did my own series in the same impressionist style as Monet. I made 5 paintings inspired by the same water lilies and pond that inspired him, and they have all been sold.
Musée de l'Orangerie: https://www.musee-orangerie.fr/
Monet house: https://fondation-monet.com/en/giverny/monets-house/
My Art Travels (2/3)22.11.19 Art Thought #8
My family caught a plane from Nice, France whilst I continued my art pilgrimage in search of the places that inspired the greatest artists.
Whilst in the South of France I visited the coast and was inspired to paint the Antibes seascape (perhaps the same inspiration that struck Picasso when he painted the Antibes coast.) I went to the Picasso Museum (The Musée Picasso, formerly the Château Grimaldi) which was built upon the foundations of the ancient Greek town of Antipolis. The collection of art there was amazing.
I also stopped at the Renoir Museum in Cagnes-sur-Mer, Cote d’Azur. Pierre Auguste Renoir bought the pale stone farmhouse house in 1907, after being inspired by the sparkling blue of the Mediterranean Sea. Like others, he had fallen in love with the clear colours and the quality of light of the south of France. There are 14 paintings by Renoir on the walls. A landscape sits in his son Claude’s room, placed beside the window with the same view that inspired Renoir to paint all those years ago.
I then drove on to the Rosary Chapel (La Chapelle du Rosaire) renovated by Henri Matisse. He began the project when he was 77, and spent more than four years working on the chapel, its architecture, stained glass windows, interior furnishings, murals, and the priests' vestments. It was fascinating to see his work, and his use of just three colours: an intense yellow for the sun, an intense green for vegetation and cactus forms, and a vivid blue for the Mediterranean Sea, the Riviera sky and the Madonna.
Picasso Museum: http://www.museupicasso.bcn.cat/en/
My Art Travels (1/3)21.11.19 Art Thought #7
It’s an amazing feeling to be able to combine my passions – art, travel and family. The three together leave me with a never-ending reel of inspiration. I’ve travelled to many places, exploring both the land and the culture. They say that if you want to find the most beautiful destinations, follow an artist’s inspiration. The influence of the places I’ve travelled to can be seen in a lot of my paintings, especially the landscapes and seascapes. I plan to document my travels in the future, to help guide those searching for the same beauty that I’ve found.
I’ve visited many places in the UK, from the Isle of Skye in Scotland to the Lizard, Cornwall on the South Coast. We’re blessed in the UK to have such a vast range of forestry, seascapes and natural beauty.
Last year I ended up travelling to places in France that previously I’d only read about or seen on television. We did a road trip through three countries starting from Dover all the way to Venice. We travelled via Giverny, Paris, Geneva, Milan (and a quick detour to Lake Como which inspired a landscape painting) Venice, Florence, the Italian Riviera, and the French Riviera.
On the border of the two Riviera’s is Dolceacqua, a small town famous for its castle (Castello di Dolceacqua) and medieval stone bridge. We walked along this bridge, the very same bridge that inspired Monet to paint it in 1884 after spending a winter here.
Isle of Skye: https://www.isleofskye.com/
The Lizard: https://www.visitcornwall.com/places/the-lizard
Chester Art Fair20.11.19 Art Thought #6
I was nervous for my exhibition at Chester, but I needn’t have been. I sold more limited edition prints here than at any other exhibition. I met a wonderful Irish family, and art enthusiasts from Amsterdam and Hastings, amongst other places. We all talked about our shared passion, and I came away from the art fair feeling like it had been a huge success. I can’t wait to exhibit there again next year!
Recently I donated a painting from my Kite series to an auction at Birmingham Botanical Gardens, raising money for the wonderful charity 'Helping Little Angels.' I mentioned this to a couple at Chester Art Fair, who invited me to donate a painting to another event that will be held in the coming months. I'm so thankful that my art is helping to raise money for such important causes.
Birmingham Botanical Gardens Black Tie Event13.11.19 Art Thought #5
After a busy few months of exhibiting, I’m excited to be doing something a little different - in 2 weeks I’ll be attending a black tie fundraising event for a wonderful charity called ‘Helping Little Angels’ (raising money for orphans and underprivileged children.)
There’s a variety of entertainment lined up for the night, including a charity auction. I’ve donated an original acrylic canvas from my Kite series, with all of the proceeds going to the charity. This series is currently on sale through Paul Smith Design, Saatchi and my website.
The event is being held at Birmingham Botanical Gardens. The organisers have been kind enough to reserve a space for me to exhibit throughout the evening. I’ve never attended a charity event, and I’m looking forward to the change of pace.
Windsor Contemporary Art Fair Preperations08.11.19 Art Thought #4
I’ve done many exhibitions this year, both in the U.K. and abroad. But this one holds a different significance - my first installation. For those of you that don’t know, an installation is a 3D piece of art, as opposed to a standard 2D painting or drawing.
And this installation, ‘quirks’ is a testament to my son who is on the autistic spectrum. Every night, he takes his cars to bed with him. It amazes me how we all find fascination in such different things. His reasons are his own, but it brings him comfort. This story within a frame captures the art that is his unique personality.
My comfort and passion is painting. The Windsor contemporary art fair is yet another testament to that - each of my paintings represents a story, and each painting has a different personality.
Birkenhead Park, Wirral04.11.19
Birkenhead Park was a major influence on Frederick Law Olmsted's design of Central Park, New York. The two parks are closely linked and during a visit to Birkenhead Park, Doug Blonsky (CEO of Central Park Conservancy) referred to it as the ‘father park' to the famous Manhattan green space. I was there last week to prepare some studies for a series of paintings, and this is the first of that series.
01.11.19 Art Thought 3The magic of autumnAutumn is the season with the most beautiful pallet. On every walk that I go on, I'm taking in the colours around me - pictures that haven't been painted yet. If I could, I would travel the world staying wherever it's autumn. When i'm not painting water and seascapes, my pallet is full of oranges and browns. There is so much inspiration in nature.When I visited Claude Monet’s house in France last September, I realised he never painted his pond in autumn. Since then, I have done a series of Monet like work of his pond in autumn. Every single painting that I’ve painted on that subject has already been sold. I am going to exhibit a couple of pieces in Windsor and a few pieces in Chester Art Fair, based on the Monetesqe theme.
Following the Manchester Art Fair, I met 3 art collectors who all wanted to commission me to do some pieces for them. What I love most about getting a commission, is hearing the stories that are attached to the art that the client has in mind. They all have a purpose - to capture a memory.
One gentleman for example, has asked me to paint a lane in a field identical to the one his wife used to walk in as a child. He plans to give this to her as a gift at Christmas. The images to the right show the art at different stages in the process.
Another man has asked me to do paintings of Durham and Oxford university as gifts for his two sons, who will be returning home to visit family at Christmas. This way, they'll always be able to look back on their uni experiences.
I've been very busy working to meet all the deadlines and create the perfect piece of art for each client. I plan to have everything completed by mid-December.
Manchester Art Fair 201911 - 13 October
This was my first time exhibiting locally at the Manchester Art Fair. It was a great event. I sold a couple of original paintings, and got 3 commissions through meeting art lovers at the event. The venue was lovely too, and I look forward to exhibiting here again next year.
26.09.19 Art Thought #2Salvador Dali
While we were in Santa Monica, myself and my art agent Leon Jeffrey were lucky enough to meet some amazing people from all walks of life. I was blown away by a story from one such gentleman, Luciano.
He used to live next door to Salvador Dali – the (now) well-known Spanish surrealist painter. However at that time, Dali wasn’t a famous painter, and would often bother Luciano for food etc. On one particular day, he took an expensive tie from Luciano and proudly signed his name across it – Salvador Dali. Although he meant it to be a thoughtful gesture and an investment, Luciano was not at all happy and when Dali left he binned the tie!
Decades later, we could laugh over coffee together at Luciano’s hasty mistake. The moral being: Never throw away something an artist has signed for you – It may just become worth something!
25.09.19 Art Thought #1The Lizard
I recently visited The Lizard in St Ives, Cornwall and was blown away by the clarity of the water. It's one of the most beautiful places in the world - I even prefer the sights here to those in the south of France.
The turquoise waters have inspired me to start a new series focusing on the seascape in Cornwall.
Santa Monica TOAF (5-8 Sep)The Other Art Fair 2019
My most recent exhibition at the TOAF 2019 was a wonderful success. I sold 8 paintings and 2 limited edition prints from my charcoal bull series.
I also had the opportunity to meet people from all walks of life that had one common interest – art. I feel like the people in America have a special appreciation for artwork in general. Councils are looking to spend money on public art and *fingers crossed* I’ll be part of it!
- Abstract Blue seascapes on canvas
- Charcoal bull drawings
- Impressionist landscapes
- Colourfull kites
Why Do I Paint ?
It is an urge. A strong impulse to draw and do a visual dialogue. Expressing how I feel at the time about a subject that would have been on my mind for days, weeks, months, even years. And suddenly after a lot of soliloquy and procrastination I would pour my intuition on to the canvas or paper with a lot of energy in short bursts. I can't stop till I am drained of the energy burst that was bubbling. I have to identify with the subject, feel it and in some cases, I have to have touched, felt or visited the landscape or been around the animal. There is always an emotion or feeling that lingers on, even if the experience was years ago.
For example, the bulls and bisons series took birth from early childhood memories. The impressionist works were done after a pilgrimage to claud monet's house in Giverny, France last year
Even the kites series - As a kid, I loved flying kites. You feel a sense of achievement working against the wind manoeuvrIng the direction height etc . I still fly kites with my kids now, more often on the beaches of north west England. Indian kites are fascinating . The paper they are made of, the bright happy colours . It is an art form in itself - the making of the kites , the design . Yes I have read and seen the kite runner too ha. I am fascinated with the shape, form and colours and the feeling that goes with it. I have started a series on kites . Paul smith Interior Design London has recently started selling my works and the first few paintings they have chosen are kites.
Let me share with you the way a painting takes birth. On my morning walks in Wetherby near river Wharfe is where this inspirational picture was taken. I have always been fascinated by water and reflections of nature in water. Claud Monet used to have a floating studio (a boat on a river in Giverny, France ). I intend to paint this river scene on a canvas with acrylics in impressionistic style and it will be exhibited in Santa Monica California USA at The Other Art Fair by Saatchi . I do some times take pictures and then work from a picture .i find it easy to work inside rather then outdoors.
I shall keep you posted of the development of this series on rivers and reflections series #wetherby #yorkshire #uk #england #painting #instaartist #paintingoftheday #saatchiart #picture #nature #artist #prints